March 4, 2006
"Crazy for You": Insanely good
When Blazers think about musicals, usually "cheesy," "Disney" and "singing animals" come to mind. Any thoughts concerning plays evoke an intense loathing for some and blissful joy for others. This year's spring musical, "Crazy for You," manages to combine exciting musical numbers with an enjoyable plot, while tactfully avoiding the use of petite forest animals.
Directed by Kelly Newman O'Conner, "Crazy for You" is easily the best Blair musical since 2003's "West Side Story." Finished in 1992, "Crazy for You" is a compilation of authentic songs and styles of the 1930's Gershwin producers, offering audiences an original blend of new scripting and old scores.
The story opens in New York as Bobby Child (Isaac Arnsdorf) decides to travel to Nevada in hopes of closing a business deal and avoiding his overbearing fiancée and mother. There he meets Polly Baker (Alec Garrin), the strong-willed daughter of an ex-theater producer struggling to save the family's theater. As Child finds himself falling for the willful Baker, the town is thrown into a whirlwind of chorus girls, cowboys and bar fights.
Both Arnsdorf and Garrin's voices perfectly capture the tone and personality of their characters, without seeming forced. Arnsdorf's strong and clear voice is especially powerful in numbers such as "Embraceable You" and "What Causes That," a duet with Bela Zangler (Russell Ottalini). Garrin's numbers are equally admirable.
While the main actors' voices may captivate the audience, it is the chorus that keeps Blazers interested. Even with dozens of members, the chorus line never falters during their synchronized dancing numbers or in their singing. The clash between the rough cowboys and pampered showgirls in "Girls Entrance to Nevada" showcases the chorus members' talent.
Particularly unforgettable numbers include "Bidin' my Time" as well "Naughty Baby," a courting song between Irene Roth (Erica Irving) and Lank Hawkins (Guru Khalsa). Both songs are sung by secondary cast members but stand out nonetheless. "Bidin' my Time," sung by Zack Rothman, Nate Blustein and Joe Dario, adds several humorous twists to the final scene, while "Naughty Baby" is delightfully bold and sensual.
Full of humor, but not without its serious moments, "Crazy for You" has a rustic atmosphere which keeps the audience enthralled from the moment the curtain opens. With a distinct old-fashioned feel, the musical highlights the Old West aura with meticulous detail and 1930s-style costumes reminiscent of the jazz era.
Once again, Blair's stage crew has crafted a set that rivals those of professional productions. Throughout the entire play, the actors perform on more than five different locations, from a western saloon to a run down theater. Each set is rich in detail, complete with realistic flourishes.
The orchestra, under the baton of Dustin Doyle, has far surpassed its performances in previous productions in both grace and intensity. Every stroke of a violin, every note on a flute, is perfectly timed, giving the scores the precision and power such an ambitious musical demands.
Whether Blazer's are fans of musicals or not, "Crazy for You" is more than just another mundane production. Rather than just one story line, this year's musical includes a variety of genres — Westerns, romances and depression-era dramas to name a few. Like the actors proclaim in Act I: it's got rhythm, it's got music; but that's not all, it's got undeniable spirit and more.
"He can't be bothered now!" Tap dancing follies girls of Crazy for You sing and dance.
Directed by Kelly Newman O'Conner, "Crazy for You" is easily the best Blair musical since 2003's "West Side Story." Finished in 1992, "Crazy for You" is a compilation of authentic songs and styles of the 1930's Gershwin producers, offering audiences an original blend of new scripting and old scores.
The story opens in New York as Bobby Child (Isaac Arnsdorf) decides to travel to Nevada in hopes of closing a business deal and avoiding his overbearing fiancée and mother. There he meets Polly Baker (Alec Garrin), the strong-willed daughter of an ex-theater producer struggling to save the family's theater. As Child finds himself falling for the willful Baker, the town is thrown into a whirlwind of chorus girls, cowboys and bar fights.
Both Arnsdorf and Garrin's voices perfectly capture the tone and personality of their characters, without seeming forced. Arnsdorf's strong and clear voice is especially powerful in numbers such as "Embraceable You" and "What Causes That," a duet with Bela Zangler (Russell Ottalini). Garrin's numbers are equally admirable.
While the main actors' voices may captivate the audience, it is the chorus that keeps Blazers interested. Even with dozens of members, the chorus line never falters during their synchronized dancing numbers or in their singing. The clash between the rough cowboys and pampered showgirls in "Girls Entrance to Nevada" showcases the chorus members' talent.
Particularly unforgettable numbers include "Bidin' my Time" as well "Naughty Baby," a courting song between Irene Roth (Erica Irving) and Lank Hawkins (Guru Khalsa). Both songs are sung by secondary cast members but stand out nonetheless. "Bidin' my Time," sung by Zack Rothman, Nate Blustein and Joe Dario, adds several humorous twists to the final scene, while "Naughty Baby" is delightfully bold and sensual.
Full of humor, but not without its serious moments, "Crazy for You" has a rustic atmosphere which keeps the audience enthralled from the moment the curtain opens. With a distinct old-fashioned feel, the musical highlights the Old West aura with meticulous detail and 1930s-style costumes reminiscent of the jazz era.
Once again, Blair's stage crew has crafted a set that rivals those of professional productions. Throughout the entire play, the actors perform on more than five different locations, from a western saloon to a run down theater. Each set is rich in detail, complete with realistic flourishes.
The orchestra, under the baton of Dustin Doyle, has far surpassed its performances in previous productions in both grace and intensity. Every stroke of a violin, every note on a flute, is perfectly timed, giving the scores the precision and power such an ambitious musical demands.
Whether Blazer's are fans of musicals or not, "Crazy for You" is more than just another mundane production. Rather than just one story line, this year's musical includes a variety of genres — Westerns, romances and depression-era dramas to name a few. Like the actors proclaim in Act I: it's got rhythm, it's got music; but that's not all, it's got undeniable spirit and more.


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I really enjoyed the musical, especially the tappers and follies.
and thats real
"pit, while good, could have been better"???
pit was amazing
-AG
However, you want to talk about an amazing pit?
West Side Story.
end of story.
The talent and depth that pit orchestra had at every instrument was amazing.
Great job everyone else though.
i completly agree with ticket guy. we have worked incredibly hard on this play. i have been one of the many people working till almost midnight majority of the nights so that you can enjoy the show for 2 hrs. unless you are in the play in some way i really dont think you have the right to say that its a waste of money. if you didnt want to see it then dont go. end of story.
congrats!!!
If anyone knows Mrs. Newman-O'Connor, you know that she has this wonderful ability to get the best out of everyone. Despite the long hours, it was obvious the entire cast was having a lot of fun.
Everyone involved with "Crazy for You" deserves cudos - and I am another one who is still singing many of the songs!
It's great to know that Mrs. O'Connor (and Sir John!) will be back next year!
Thanks to everyone who was involved, and made us all a little "Crazy About You."