Even with a super-star line comedic duo, including both Steve Carell and Tina Fey, "Date Night" disappoints with forced laughs and boredom. With no navigation in such a messy plot, "Date Night" is one disastrous serving.
Fans of "The Office" and "30 Rock" will surely rejoice the day sardonic Liz Lemon and clueless Michael Scott meet. Well, "Date Night" comes close to a successful collaboration between comedic geniuses Tina Fey and Steve Carell. It's just too bad that director Sean Levy didn't trust these actors to do what they do best.
Director Louis Leterrier certainly had his ambitions in his remake of the 1981 "Clash of the Titans." The film is a gripping tale of a young hero who leads the Grecians to overpower their revered gods by completing a long and treacherous quest.
"The Bounty Hunter" from director Andy Tennant ("Hitch") spends its time hunting for a solution to conflicts the genre evokes. A romantic comedy, action flick and crime drama can be a successful blend, but not in this ultimately disappointing kiss and chase film.
"Alice in Wonderland" had to deliver, and in order to take on a project like that, Burton had to be as mad as the Hatter himself. He pulled it off - the cast was wonderful and the plot was fantastic and zany.
Director Martin Scorsese is well-lauded for master-minding landmark films like "Taxi Driver" and "Goodfellas." With his newest project, he successfully engineers a follow-up to his critically lauded crime-thriller "The Departed."
Heavy advertising for this romantic film began extremely early in the fall of 2009. The trailer features 2009's feel-good anthem "I've Gotta Feeling" as well as more than fifteen A-list celebrities, ranging from romantic-comedy veterans Julia Roberts and Queen Latifah to rising stars Taylor Lautner and Emma Roberts.
After a seven-year hiatus, Mel Gibson returns to the other side of filmmaking in "Edge of Darkness." Gibson made his mark as director of the heart-wrenching and controversial "Passion of the Christ" in 2004. Indeed, "Edge of Darkness" will be known as Gibson's comeback film.
In an age where special effects and computer-generated graphics dominate the silver screen, it's quite the novelty to see a film shot without the help of fancy visual effects or animation. Where oftentimes technological advancements aid in the way of a film's perception, in "The Lovely Bones," it diminishes the otherwise strong plot and cast.
In "The Lovely Bones," Director Peter Jackson takes Alice Sebold's best-selling 2002 novel, an innovative tale about death, and brings it to life in a poignant piece that combines raw suspense, heart-wrenching emotion and enthralling charisma.