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A riveting "Piano Lesson”

By Armin Rosen | April 18, 2005, midnight | In Plays »

I was somewhat taken aback when, in a short speech after the opening performance of her production of August Wilson's "The Piano Lesson," director Saret Scott opined that the middle-aged Wilson is already one of the great American playwrights. But after seeing "The Piano Lesson" I can find little grounds on which to disagree with her.

Full cast list

By | March 9, 2005, midnight | In Plays »

Varekai: Cirque splendor

By Pria Anand | Oct. 13, 2004, midnight | In Plays »

Aerial gymnasts contorting fifty feet above the stage on a set composed of nothing more substantial than ropes and tenuous golden poles. A harlequin dancer spinning across the floor in a languid ballet performed on, of all things, crutches. Spangled, spiky-headed acrobats vaulting through the air from one swinging plank to another. As incongruous as they seem, all fit perfectly under one blue-and-yellow big top tent in Varekai, the latest offering from French-Canadian circus company Cirque du Soleil.

Classic "American Daughter"

By | May 7, 2003, midnight | In Plays »

Wendy Wasserstein's

A Moon for the Misbegotten

By | May 13, 2002, midnight | In Plays »

"A Moon for the Misbegotten," a tragicomedy about love, lies, and liberation plays now at Arena Stage, through June 16. The play, written my Eugene O'Neill, shows the trials of two characters, Josie Hogan and James Tyrone, Jr. as they free each other from their insecurities and destructive past. O'Neill, who is best known for his disturbing plays about dysfunctional family life, wrote "Moon" with both a sense of humor and a sense of despair, but most of all, an overwhelming surge of redemption. Director Molly Smith does justice to O'Neill's script in the powerful "A Moon for the Misbegotten."

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