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March 19, 2009

"Sweeney Todd" shaping up to be a sensation

by Fran Djoukeng, Online Entertainment and Sports Editor
An ominous organ plays. Red velvet curtains spread apart, revealing a dark and scary set. A fog machine's mist permeates the stage as an ill tune begins to sound. Itís not a horror movie, but glimpses of the opening act of Blairís upcoming stage production, "Sweeney Todd: The Demon Barber of Fleet Street."
The finished set of Blair's spring musical, "Sweeney Todd," waits for opening night on Friday. Gili Perl
The finished set of Blair's spring musical, "Sweeney Todd," waits for opening night on Friday.

The Blair community will be able to watch the Montgomery Blair Players present a stage adaption of the 1973 musical written by Stephen Sondheim and a recent film version with the same name produced by Tim Burton. With two days until the premiere date, Blair's theatrical production team, from the stage crew to the ensemble to the pit orchestra, is in full operation to bring alive the moral message of the seemingly gloomy, wicked plot.

The impending musical, unlike last year's family-friendly "Beauty and the Beast," will certainly receive a different reaction from audience goers. "Fewer girls in Disney Princess dresses for sure," says English teacher and longtime director Kelly O'Connor. "Itís certainly the most serious that I have directed except for 'West Side Story.' "

"Weíre appealing to an older audience," says senior Robin Dreher - these days known as Sweeney. The plot revolves around his character, a revenge-seeking barber who murders and robs his clients.

Despite the dark tones, O'Connor believes those familiar with the "Todd" film can find a breather once they watch the play. "Viewers who know the filmís reputation will be relieved because itís not as gory," O'Connor reassures. Instead of fake blood, the production team is getting creative with other options. "Red streamers weren't as powerful so we are using big pieces of red fabric," O'Connor says. "We're also using red lights to spice up more violent moments."

There may be fake blood, but the show isnít without some morbid laughs. Dreher and Snapp share a comedic scene at the end of Act One. During the "A Little Priest" number, Lovett and Todd engage in a lip-smacking conversation. "Me and my partner in crime, Ms. Lovett, talk about homemade pies and how they would taste," Dreher says amusingly.

"I bring up the idea about putting bodies into pies and we exchange witty remarks and corny jokes. Itís the first time Todd lightens up and weíll make the audience laugh a lot," Snapp says.

Still, O'Connor would rather downplay the light-heartedness. "There are genuine laugh moments, but itís not comedy, itís a thriller," O'Connor warns.

Menacing music

Meanwhile, the pit orchestra, directed by music teacher Dustin Doyle, is tuning to the terror; there is no underestimating the complexities of the action below the stage. "The interaction of the music with whatís corresponding on stage takes a lot of coordination," Doyle says. "But itís been fun to put together a more challenging music composition than in previous years."
Senior set designer Joseph Rosen demonstrates the use of Todd's trunk, posing as dead. Gili Perl
Senior set designer Joseph Rosen demonstrates the use of Todd's trunk, posing as dead.


OíConnor says performing the music is no easy feat. "Itís extremely difficult music with moments of dissonance and quick tempo changes," OíConnor says. "The music is the hardest ever tackled but itís exciting to see kids get on top of the music."

Dreher says the music will reflect the showís sinister tone. "The play is made to be jarring. There are a lot of places where the music is unpredictable and doesnít follow usual melody," Dreher says.

Pit musicians are relentlessly working to perfect the complex music sheet, an exciting mixture of styles. "Itís a cross between classical and show music," junior cellist Sophie Chang explains.

Look out for one instrument to play a central role in the show. ďThe organ sets a tone throughout the musical,Ē Doyle says. Ultimately, Doyle believes the audience will get what they expect. "Itís a complicated music score and itís very continuous. It gives a dark vibe and thatís part of the package. "

A revenge-less tagline

In the end, those in attendance will be marked by a cautionary tale from "Todd" about seeking retribution. "Revenge is an empty pursuit. Sweeny dedicates his whole life to vengeance and loses everything. Itís very moral despite apparent immorality," OíConnor says.

Toddís character also offers a more literal message from his musical experience. ďVengeance is never good. Donít go on a crazy killing spree,Ē Dreher says.

Most of all, audience members will see proof of exemplary collaboration, from every student involved in the production. "People will see strong acting, strong singing, strong musicians and an incredible set designed and built by students," OíConnor says.

"Sweeney Todd: The Demon of Barber Fleet Street" debuts Friday, March 20 at 7:30 p.m. in the Blair auditorium.



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  • anonymous on March 20, 2009 at 12:48 PM
    In the photo gallery about the set, one caption says the barber chair is from the original touring production. How'd Blair get that?
    • haha on March 22, 2009 at 5:26 PM
      mr kaluta knows a guy who knows a guy =)
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